Dan Brown’s Inferno (2013) is quite unlike his earlier books in that here the author turns an environmental activist in that he constantly reminds the reader of the global ecological crisis and the problems of overpopulation. It reads more like GB Shaw’s plays that carry some social message or the other.
Though in the earlier novels, it was possible to suspend disbelief at the kind of code-cracking that Robert Langdon practiced, this time it becomes a little bit tedious with the population problem that is part of the discourse of the novel. He makes use of the character of a slightly eccentric scientist Bertrand Zobrist to offer a solution to the overpopulation problem and this is by creating a virus named Inferno that has got serious consequences to the entire humanity.
The apocalypse is near and the scientist being a fan of Dante has written all the codes in poetry. The allusions and history reveal a lot about the culture and heritage of art work as usual, the fun element is replaced by a seriousness quite unlike Brown. Like all Brown heroines, Sienna Brooks is also quite smart and independent but she turns mushy and cries on Langdon’s shoulder.