Night Fears

A dark curtain of a night fell from across the river green

With huge trees that looked like demons to a five year old.

Then almost twenty years later they came back as crossroads

And having to face the worst possible mistake in life.

The nights that followed were all full of fears of future,

Till you came with your music and took them all away;

But now that you are also gone, the fears are back

The intense loneliness and the few words once again.

You with your music could sweep all those fears away,

You with your love could erase the fears from the years

Yet you have made the night bleaker and darker,

Wringing away the life that throbbed in these bone cavities.

The nights of unknown fears of future were much better

Than these nights of fearful knowledge of separation. 

The Maddadam Trilogy

Margaret Atwood’s The Maddaddam trilogy that consists of the simultanuels Oryx and Crake (2003), The Year of the Flood and Maddaddam (2013) explore an extremely common device in popular science fiction- an apocalypse triggered by biotechnological and chemical experiments that destroys the rhythm of nature and produces unforeseen disasters and epidemics such as the Waterless Flood. These novels are called simultanuels (as opposed to sequels) as they co-exist and enhance our understanding of the state of life before and after the apocalypse through the eyes of the narrators Snowman, Ren and Toby.

The strides made in biotechnology such as genesplicing help scientists create new species such as wolvogs, liobams and pigeons with human brain tissue added for intelligence. But the product that starts the epidemic known as the Waterless Flood is an over-the-counter medicine known as BlyssPlus Pills, supposed to provide increased sexual satisfaction, protection from sexually transmitted diseases and to prolong youth. Hidden in the BlyssPlus Pills, is a killer virus that will spread like the plague and wipe out entire continents altogether.

When the attacks begin, radio and television stations from across the world report news of the spreading pandemic. But gradually the stations go dead and cities cease to exist. Gradually, a handful of people survive along with the bioengineered Crakers, who are a gentle humanoid species whose skins have natural insect repellants and whose need for animal protein is minimum. Among the survivors are Toby, Ren, Amands, Zeb, Jimmy and other Maddaddamites who are a group of bioterrorists who were bought by Crake in exchange for the protection of their identities.

The narrator of -awaited conclusion to the Maddaddam trilogy is Toby, who belonged to a green cult called God’s Gardeners. She wonders if there is any future for the human generation:

She’s slipping: she ought to write such things down. Keep a daily journal, as she did when she was alone…for generations yet unborn as politicians used to say when they were fishing for extra votes. If there is anyone in the future that is; and if they’ll be able to read; which, come to think of it are two big ifs (Atwood, 136).

The Crakers and the human survivors together create a new set of babies- Kannon, Rhizomes, Jimadam, Pilaren, Medulla and Oblongata, whose characteristics are yet to develop. But the wonder of all wonders is that Blackbeard, a Craker youth learns how to write and records the history of life after the Waterless Flood and the formation of the new hybrid species from humans and Crakers in the form of history.

Atwood uses the trilogy to express her concerns about the environment, the use of artificially created animal protein, the dangers of biotechnological experimentation, the hidden dangers of medical corporations and the relations between the sexes. She concludes on a note of hope through the creation of hybrid babies who will definitely lead life on earth forward in spite of the Waterless Flood.