different

Othappu

The Novel Othappu by the celebrated Malayalam feminist writer Sara Joseph has a strong woman character Margalita. Set against the life of Christian Thrissur, the novel depicts how Margalita, a nun hailing from one of the ancient Syrian Christian families flouts all traditions to fall in love with a Christian priest Roy Francis Kareekan. Their love is made intense by the vows of chastity that both of them have to keep and they throw away everything just to be together. But is breaking all rules to be with the beloved worth the trouble? Which is more important listening to your heart's voice or listening to the world? These are some of the questions posed by the novel.

Instead of creating a melodrama out of a delicate subject of love between a nun and a priest, Sara Joseph has delicately handled it but at the same time creating a very strong woman character before whom every other character pales in comparison. She is like a rock in times of trouble and creates her own identity in a society that has divested of all her previous roles- daughter, sister, believer and nun. For her, "love is joy; the joy of love is God; and when you can keep the joy of love in your heart, the whole world will be at peace and the earth will blossom" as she lives a life of sacrifice with Nanu, an orphan child and her unborn baby in her womb.

The English translation of the novel by Rev. Dr. Valson Thampu and published by OUP is also available as Othappu: The Scent of the Other Side 

Summer Love

When we meet again, this summer, after a long while;

We sit once again in our favourite spot near the fountain,

On the pink carpet of blossoms, we make our seat to chat

The serious thoughts about life, the trivial about the world. 

Again the words couple goals make sense to us both,

Who have been lone wanderers in this weary universe,

To dream of the world of delights that we can travel,

To sip from the wine of togetherness till death parts us. 

May be we could dream of watching the nightskies now,

To spend time reading books or chatting for long hours,

May be one might spend time roaming new destinations 

Treading the surprises that this Earth has to offer us. 

We celebrate this second bout of love in this midlife,

To weave dreams around a bond of growing understanding.

definitions

Copernicus

He proved that the earth was not the centre
Of this mighty sprawling universe.

Sorry my dear to break your illusions
You are not the centre of this world either.

Journey

Thick like ladies' fingers
I had teased them once
As I held them in mine.

On this long tedious path
I saw you tap your fingers
To the song I was humming.

Through the tedious heat
Though you didn't turn
To look at me even once.

Yet I saw you tap your fingers
To the song that I was humming
All day and night long.

Of the days spent in singing
With eyes that shine bright
With hope that rises again.

After the summer tedium,
After the dreary monsoon
Just in time, for you and me.

Your fingers draw the story
They weave a dream in words
Music, coffee, words and us.

Gershom

I'm a stranger in a strange faraway land,
His heart whispered to him night and day,
While his thoughts are full of a lovely face
That made him forgot all his troubles.

One that filled his solitude with quiet music
One that made him turn time by a few years
The longing for her sweet musical chitchats
Or the craving to bring back her last embrace.

All the while, his friends speak of their plans
He listens eagerly but wants to dream of her
Dream of the day when clad in bright red
And bedecked in jewels, she''ll be his bride.

She is the home he returns to time and again,
The dream that he looks forward every day
Even though his heart whispers to him daily
I'm a stranger in a strange faraway land.

self

The Maddadam Trilogy

Margaret Atwood’s The Maddaddam trilogy that consists of the simultanuels Oryx and Crake (2003), The Year of the Flood and Maddaddam (2013) explore an extremely common device in popular science fiction- an apocalypse triggered by biotechnological and chemical experiments that destroys the rhythm of nature and produces unforeseen disasters and epidemics such as the Waterless Flood. These novels are called simultanuels (as opposed to sequels) as they co-exist and enhance our understanding of the state of life before and after the apocalypse through the eyes of the narrators Snowman, Ren and Toby.

The strides made in biotechnology such as genesplicing help scientists create new species such as wolvogs, liobams and pigeons with human brain tissue added for intelligence. But the product that starts the epidemic known as the Waterless Flood is an over-the-counter medicine known as BlyssPlus Pills, supposed to provide increased sexual satisfaction, protection from sexually transmitted diseases and to prolong youth. Hidden in the BlyssPlus Pills, is a killer virus that will spread like the plague and wipe out entire continents altogether.

When the attacks begin, radio and television stations from across the world report news of the spreading pandemic. But gradually the stations go dead and cities cease to exist. Gradually, a handful of people survive along with the bioengineered Crakers, who are a gentle humanoid species whose skins have natural insect repellants and whose need for animal protein is minimum. Among the survivors are Toby, Ren, Amands, Zeb, Jimmy and other Maddaddamites who are a group of bioterrorists who were bought by Crake in exchange for the protection of their identities.

The narrator of -awaited conclusion to the Maddaddam trilogy is Toby, who belonged to a green cult called God’s Gardeners. She wonders if there is any future for the human generation:

She’s slipping: she ought to write such things down. Keep a daily journal, as she did when she was alone…for generations yet unborn as politicians used to say when they were fishing for extra votes. If there is anyone in the future that is; and if they’ll be able to read; which, come to think of it are two big ifs (Atwood, 136).

The Crakers and the human survivors together create a new set of babies- Kannon, Rhizomes, Jimadam, Pilaren, Medulla and Oblongata, whose characteristics are yet to develop. But the wonder of all wonders is that Blackbeard, a Craker youth learns how to write and records the history of life after the Waterless Flood and the formation of the new hybrid species from humans and Crakers in the form of history.

Atwood uses the trilogy to express her concerns about the environment, the use of artificially created animal protein, the dangers of biotechnological experimentation, the hidden dangers of medical corporations and the relations between the sexes. She concludes on a note of hope through the creation of hybrid babies who will definitely lead life on earth forward in spite of the Waterless Flood. 

Silence

On that rainy day,
A couple walked past us,
Huddled together.

You and I, we walked
Hurriedly, drenched
In the rain and silent.

Your shy eyes lingered
Now and then on me,
Happy like a child.

With throbbing heart
With hungry eyes
I stowed away your magic.

You never said a word
I never said a word,
Only silence and the rain spoke.

When we spoke at last
It was with indifference
To the magic between us.

So we threw away the words
And the magic between us
What is left now is only silence.

Inferno

Dan Brown’s Inferno (2013) though in the same mould of a thriller as his other novels such as Digital Fortress (1998), Angels and Demons (2000), Deception Point (2001), The Da Vinci Code (2003) and The Lost Symbol (2009),  is concerned with the global ecological crisis and its consequences.

 Usually, his novels revolve around symbols, codes and conspiracy theories. They follow the similar pattern of a hero who finds himself in a strange and unfamiliar setting, with codes, symbols and mysteries to crack and a beautiful woman to rescue. 

Though he writes thematic novels, Inferno stands out from the rest because of its slightly misanthropic stand on human population. In the earlier novels, it was possible to suspend disbelief at the kind of code-cracking that Robert Langdon practiced, this time it becomes a little bit tedious as the mad scientist Zobrist has written down all codes in poetry in the manner of Dante. 

The character of Bertrand Zobrist is a proponent of what is known as the Population Apocalypse Equation which is a mathematical recognition that the earth’s population is rising, people are living longer, and our natural resources are waning. 

He believes that with the increase in numbers, there will be a corresponding increase in human vices as well as predicted by Dante. This equation predicts that the current trend of exponential growth in population will ultimately result in an apocalyptic collapse of society. 

Zobrist held unconventional views on the reduction of population through the spread of epidemics and Black Death. Zobrist praises the role that diseases such as malaria, tuberculosis, HIV-AIDS plays in keeping the population in check. 

He is of the view that the best thing that happened to Europe during the Middle Ages was Black Death. This event was seen as having so many socio-economic advantages as it thinned the human herd and led the way for Renaissance. Though the Black Death destroyed one third of the European population, Zobrist views it as a positive event in history because of its curbing of the human population. 

Bertrand Zobrist in Inferno is no theorist but a genetic engineer who sees a way to put his ideas into practice. He creates a solution to the population problem, a virus named Inferno that is initially suspected to be a plague virus but terms out to be a germ for creating sterility in every third person in the world. He follows the same mathematical equation of one third when trying to create the human sterility virus Inferno. He contrasts himself with the actions of the World Health Organization (WHO) that tries to create awareness about population control and family planning.

Inferno is about the need for environmental conservation and population control.

 www.flickr.com

understanding

Beannacht

On the day when
The weight deadens
On your shoulders
And you stumble,
May the clay dance
To balance you.

And when your eyes
Freeze behind
The grey window
And the ghost of loss
Gets in to you,
May a flock of colours,
Indigo, red, green,
And azure blue,
Come to awaken in you
A meadow of delight.

When the canvas frays
In the currach of thought
And a stain of ocean
Blackens beneath you,
May there come across the waters
A path of yellow moonlight
To bring you safely home.

May the nourishment of the earth be yours,
May the clarity of light be yours,
May the fluency of the ocean be yours,
May the protection of the ancestors be yours.

And so may a slow
Wind work these words
Of love around you,
An invisible cloak
To mind your life.



[Note: "Beannacht" is the Gaelic word for "blessing." A "currach" is a large boat used on the west coast of Ireland.]

Letting go

The Best

The Fountainhead

The Fountainhead, written by Ayn Rand was published in 1943 and it made its author a celebrity and creator of a new philosophy called Objectivism. A celebration of  rationalism and individualism over collectivism and altrusim, the novel portrays the indestructible spirit of self as the source or fountainhead of all progress.

Ayn Rand highlights the strong individualistic characters in the novel by juxtaposing them against the weak or ‘second-hand livers’. For Rand, lack of integrity is a serious offense. Both Howard Roark and Dominique Francon are strong characters, who retain their integrity and independence despite the pressure of society on them. The affair between Dominique Francon and Howard Roark testify to the fierce degree of independence that both of them have, even when in love. Their relationship is cold and ferocious and unemotional, marked by strong physical revulsion and violence.


Howard Roark, a young architectural student expelled from college is the protagonist of the novel and the embodiment of the perfect man, uncorrupted and pure, with his own views and individual opinions regarding perfection in his work. He designs buildings using a holistic approach, after taking into consideration details like the nature of the terrain, the material and the most natural way in which the building should express itself through the material. This is in contrast with the corporate architects who design buildings using historical features and designs that are imposed upon the terrain. Roark is the projection of an ideal man, devoid of altruistic intentions, propelled by an inner fire rather than by social recognition or money and with an integrity that is unrelenting to the pressure of society around him.

Dominique stands as the only strong woman in the novel, unlike Mrs. Keating or Catherine, who represent a totally different picture of womanhood, one manipulative and the other manipulated. Though she has Roark-like qualities, she has no natural talent or drive with an element of masochism. Column-writer with The Banner, Dominique loves beauty, perfection and independence. Their first encounter occurs when Roark is working in a stone quarry while Dominique is living alone in her father’s estate. She is drawn to Roark and visits the quarry often to see him. Even then Roark’s sudden disappearance makes her happy because she can retain her freedom by remaining unattached to anything or anybody.

The love affair between Dominique and Roark involves passion, struggle and violence. She recommends Peter Keating to people who consult her about which architect to chose and writes articles against Roark’s buildings. But she tests Roark in many ways, by jilting him and robbing him of his commissions. At the Stoddard trail, she says that the world does not deserve such a temple and that it should be destroyed. She marries Keating because she is punishing herself for being in a world that is unfair to Roark. Later when Keating sells her to Wynand, she marries Wynand, though she still loves Roark.

Dominique loves Roark but destroys him because society does not recognise his genius. She finds that Roark produces works of beauty, perfection and independence, which remains unappreciated by the majority who knows only how to criticize and destroy whatever is pure, sacred and beautiful. The vileness around her makes her destructive and she remains cold and detached by surrounding herself with people she dislikes. She can remain indifferent to others, but not to Roark whose integrity and purity of soul surprise her. Before the world can destroy him, she destroys Roark by marrying men she despises and later through articles in The Banner.

At Roark’s trial, Dominique is seemingly critical of Roark, but her intentions are different from that of others in that she recognizes Roark’s greatness. She writes about the Enright Building that nobody should be allowed to live in it. Dominique would rather break a perfect vase than see it used by the unworthy. With such an instinct towards the pure nature of Roark, she sets out to destroy him. She says at the trail:

When you see a man casting pearls without getting even a pork chop in return--it is not against the swine that you feel indignation. It is against the man who valued his pearls so little that he was willing to fling them into the muck and to let them become the occasion for a whole concert of grunting, transcribed by the court stenographer (Rand, 1943, p. 356).

For both Roark and Dominique, the separation that they chose deliberately is a way of retaining their independence. For Roark, it is his work that absorbs him completely while for Dominique, it is her detachment. Finally Roark destroys the Cortlandt with Dominique as an accomplice in bombing the building. Till that time, their affair is a secret one; but this incident brings her back to him.

She knew that every moment of seven years when she had wanted this and stopped the pain and thought she had won, was not past, had never been stopped, had lived on, stored, adding hunger to hunger, and now she had to feel it all, the touch of his body, the answer and the waiting together.(Rand, 1943, p.667).

When Dominique and Roark are reunited, it is only a natural ending to a battle of wills. With a passion that is strong, primordial, violent and instinctive, both Howard Roark and Dominique Francon are strong individuals uninfluenced by collectivism and struggling to keep their purity intact.

The strange course of events makes them realise the naturalness of their desire and union. Both Roark and Dominique are withdrawn from society and speak their mind openly without any regard to social regulations and rules. Dominique destroys Roark because she cannot stand other people destroying him by belittling his genius. Her bond with Roark is strange because it springs from revulsion, hatred, physical violence and fury and ends up as an intense love. When they re-unite, it is only natural, like some unwritten law of nature.

Words

love

Mehndi

Every time I put henna on my hands I hum that song

Where I write your name on the palm of my hand,
Hidden in the intricate shapes, curves and designs
The story of the day we met or the day we spoke.

We have walked countless times around the fire

We have uttered so many different sacred chants
Of holding a bond so close just by keeping it safe
Deeply tied to the sense of our sacred silences.

We have celebrated in rhymes, absences felt,

The emotions that run wild and the colours
We have sang of the endless days we wandered
Listlessly, aimlessly and perfectly in silence.

Yet when I put mehndi on these hands of mine,

You smell them, as if it’s our first time together.

irish blessing